Monday 20 October 2014

The Old Man, The Sick Man

"Rage, rage against the dying of the light."

- Dylan Thomas

He used to pretend that he was a tree. You could believe that? He would stand in the garden, close his eyes, and just like that he would plant himself in the ground. His two trunk like legs would shoot into the earth and snake down in a thick, sprawling web of roots.

Then the rainy seasons came and went, each year just like the rest, and now the ashes of all his family and friends lie mixed together in a big earthen jar at the back of the church. Now, it is not that easy to pretend.

They took a cutlass and cut me down.

He likes to speak like that.

They cut way all my roots, and now, he says, now, it's only a set of threads holding me to this place.

He used to wake at four-thirty every morning. He did it for forty-five years, and I always knew that it was his way of fighting the system.

Two and a half hours to myself, and nobody could take that from me for nothing in the world. No sir, no how, no way.

Now he lets himself sleep as long as his body needs.

It's the birds that wake me now, he says, sometimes it's those blasted gardeners.

He says that he loves to fall asleep; loves to feel everything float away and disappear. He prefers it when he doesn't dream.

One day I'm not going to wake up, he says.

I think that I see him smile.

One day someone is going to snap these threads and that is when I am going to float away into the night.

He speaks about it like he's trying to compose lyrics for a song; like it's something that he's looking forward to.

Another smile.

Thing is...

The thing is that he has forgotten that the lamp is on.

He's forgotten that I can see the way that the light bounces off of his soft, wavy face.

He hasn't looked in the mirror in so long, and I think that he's forgotten the way that tears can mark cheeks like war paint.

Sunday 20 July 2014

Interview with Granny - Escape from Venezuela (Part I)




Trinidad is a small island in the Caribbean. It is the most southerly island in the Caribbean chain and is so close to South America that on a clear day you can see the hills of Venezuela in the distance.

Independent since 1962, it was peopled for thousands of years by tribes who had originally come from the South American mainland. In the tumultuous birth of the new world, it was wrested from the native peoples, who were powerless to the European diseases and weapons, became a colony of Spain, then Britain, until eventually gaining its independence. Like most colonies, its history is a painful one, and the people of modern day Trinidad are descended from peoples who were thrown together from all corners of the globe. Sadly, many stories of arrival to the island were obliterated during the period of colonization and transatlantic slavery.  It is a terrible reality of our history, but sadly, it is what happened. I know that I am very lucky to know at least one strand of my family's story, the one that has been at the centre of my family folklore from as long as I can remember, and for this I am grateful. Though I must admit it does fill me with shame that so many other stories of arrival were lost along the way.

With this in mind, I offer you the only story of arrival that I am personally aware of. It is my maternal grandmother's story, and it is in her own words.



----




My name is Trina Martinez. This is the story of my escape from my country, Venezuela, to this beautiful island of Trinidad and Tobago, where I have made my home. It all started because I happened to be the great niece of the president, Juan Vicente Gomez. My grandmother was his youngest sister, and my mother was an only child.  I was born in Venezuela, in Caracas, and when I left Venezuela I was seven years old. 



So where did your family come from?

All my ancestors came from the Andes. The Gomez family came from the part of the Andes called Tachira. That is where they were born and grew up till they were adults, and then they went to Caracas.

When did they move to Caracas?

When my grandmother and my great uncle were young, they lived there…and my grandmother’s father died very young so Juan Vicente Gomez, who was one of the older sons of the family, took over the whole family. 



He was the eldest?

He was…no he wasn’t the eldest …actually I can’t tell you because I am not sure. I know that he was one of the older ones and my grandmother was the youngest of the family. Tantine might have been older than him. They dealt with, I believe, in cattle. They lived in a ranch with cattle…but my great uncle, even though he wasn’t a highly educated man…he was very strong…a ruling type of person…and after my mother was born, and she was a couple months old, the whole Gomez family decided that they would move to Caracas because of my great uncle’s best friend was involved in...



He was in politics?

Yes he was a big fella’…Castro was his name…My great uncle’s very good and close friend, his name was Cipriani Castro, and he was in politics. They were starting to get, very restless I think, in the Andes, and he, Castro, decided to lead a whole contingent from the Andes to Caracas over the mountains. That’s how they went to Caracas, because they didn’t have any proper roads or anything at that time…and I know that my mother was about three months and they, they travelled with mules, you know, and donkeys…and my great uncle, from what I hear from my family, stood by Castro head and head, with the revolution, or whatever it was that was taking place then, and they, they became the rulers…



How?

They overthrew the government, and…I hope that I’m giving the right Venezuelan history eh (laughs)…but anyhow I have to go and check it after (laughs)…Well that is just about my family part, because that is what I know... I know that my great uncle was one of the top people in the whole thing. But it so happened, as has happened so many times in South American countries, that Castro had to go abroad, for some reason or the other…and even though my great uncle was his closest friend… his dearest friend from what I hear…my great uncle decided to take over when he was gone. He betrayed him.

He betrayed him and took over, and Castro was not allowed to return to his native land. That is how my great uncle became the ruler and president of Venezuela. He ruled for thirty five years. During which time my sister was born, and I was born.

Gomez ruled with an iron hand, because that was the type of way that people used to rule in South America at the time…and he had…by the way that he ruled the country he…put it on the map. I think it was the time when oil came into the picture…and Venezuela though his term of president became very…became known and wealthy, but…


But?

But because of the way he ruled he had a lot of enemies, and a lot of people were against him…I mean he ruled eh and…I mean…us the family never knew what really went on, especially because we were women, and we only heard parts of everything, we were never told any details…but we knew that he was not a favorite of a lot of Venezuelans…people say that he did a lot of bad things…I think they even attempted on his life a few times, I’m not sure…but he ruled till he died. He died a president.
Well, my history really more starts from when he died…because…we had a house…he mostly lived in a part of Venezuela called Maracay because that is where he loved; that’s where he had his home…and he liked there because…he didn’t like living in Caracas, the capital, because it was too, too…I’m not sure what, but he like living in Maracay, which was more country…and because he lived there, all of us, the family, had to have houses there. My grandparents had a house there, and that’s where my sister, and my brother, and my mother lived…and that is where I lived.

When he died, there in Maracay, for a few days nobody wanted the masses to know that he had died because there were rumours that as soon as he died they were going to have an... uprising, and the uprising was going to be against the Gomez family. 

And, his funeral... there was a grandiose funeral... and I remember that right after the funeral my grandparents packed us up, and we were told we had to go live in Caracas. At the time we were not told why, because we were young children, but I realized when I got older, that was because they were expecting a lot of trouble…and they were expecting, you know…



What were they expecting?

Well, they were expecting to have a revolution, and they were expecting that the Gomez family were going to be sought out…and killed.

…and being that my grandmother was the youngest of the Gomez family, and it so happened that my great aunt, Regina, who was my grandmother’s oldest sister, and she was very close to Gomez himself, and ruled a lot when Gomez was ruling, you know like the woman part of it…and she herself was not very popular…not my grandmother, because my grandmother apparently was never in politics…but it so happened that Regina, when we came down to Caracas…came to stay in our home in Caracas, and, I really don’t know how long we were in Caracas before the big trouble really started…in Venezuela…because it wasn’t only Caracas, it was all the other states and everything. 

But…I…I didn’t know anything…because we weren’t allowed to know anything about politics or anything but afterwards when I got older I was told that the reason that we came to Caracas was that they were going to try and find all the Gomez family, and deal with them… 

We had more protection in Caracas than where we were in Maracay, we were with someone called Lopez Contreras, who was the one that was going to take over after from Gomez, and he was his very good friend, and a family friend…and my grandfather felt that because of that, we were protected also…from the mobs that were coming to destroy and burn our houses and everything else.

So he sent a…a policeman to…to be like a bodyguard for us…but as far as I…when I came into the picture is the actual day that I can remember of the time…is when they came to attack our house and destroy it, that's what I actually still remember…and…actually it, it (stutters) I presume they were going to kill us…from what I was hearing…and what happened is that when my grandfather called for help to Lopez Contreras…he never sent the help that he said he would send…he betrayed us in the same way that Gomez had betrayed Castro... so the mobs did come into our home. 

—-

I remember I was on the upstairs floor…I was in bed with my sister because I think we had…we had mumps or something, we were not well…and what I remember of that day was…that my mother came into the room and said “you have to dress…and you have to…we have to leave, we have to leave. “ and she was telling the person that was looking after us “get them ready, get them ready, because we have to get them out of here now, right now.” and I remember being picked up, and taken to the back of the house…in those days the houses in Caracas were walled in all around…

We were very lucky that the house that was next door to us was where the parish priest lived…and he was very close to my family…my grandfather, my grandmother, and my great aunt. And he, when he realized what was happening, that they were coming to, to attack us, he told my grandfather to get a ladder, put it at the back of the wall, and he would organize one over on his side for us to escape into his house, priests still had a lot of respect and power back then...and he would protect us and hide us…till whatever…whatever happened…


(to be continued)

Saturday 26 April 2014

Granny's Story - Americans and Grapefruits.






Excerpt of a recorded conversation with Granny - 


"In that time of the war we were under British rule so we used to bad talk the Americans and this that and the other, so when the Americans came here to...what you call the places?

The bases.

The bases. We always used to be bad talking them...and as we lived in Sangre Grande, they used to go to Manzanilla to have a bath...the Americans eh, the soldiers...and we started to time them. They used to pass there about two in the day...and we decided to pelt rotten grapefruits (at them.)"


..."We all stood up on the top (of the house) waiting for them and we start to pelt them with rotten grapefruits. Ah hah! And they jumped out from the cars to come inside the yard *laughter* to chase us...but you know when you’re that age...Now we couldn’t make noise...because our grandfather and our aunt were sleeping...so we had to pelt to the back because...they came right in you know through the front step! So that was one fright and one stupid thing we did. 

To pelt the Americans?

Yeah, with rotten grapefruits. I mean what a thing, eh. And I think I told you that when we were pretty young (my sister, my brother, myself, and a very close friend of ours) and who grew up with us and everything...we used to go and lie down across the road, right across the road. 

Why?

Waiting for a car to come. Nobody...the older people inside didn’t know, you know.  We used to lie down - across the road eh! Thank god in those days a car would pass like every hour or something *laughter*. But you ever heard of anything so crazy?

So that’s what y’all did for fun?

Yes! *laughter* "


- November, 2010.

Sunday 9 March 2014

Me. Writing.

Me. Writing.

Blank page. Pen. Tea with three sugars. Mahogany desk by the window. Faint smell of fresh, cheap varnish, and white tiles mopped with bleach. Chair facing the door, then the window, then the door. Orange sun beaming though the blinds. Room tinted with a pale, yellow glow. Sepia effect. Like an old, dusty photograph. Beautiful. Beautiful but blinding. Blinds pulled. Quiet room. Blank page. Stare at the walls. The bare, white walls. Bare. Boring. Blank. Take some tea. Wait. Look at the tea. Hot tea. Hot, thin smoke slithering out of the cup. Dances for a second, stretches out like a yawning spider web, and then swirls into nothingness. Touch the cup. Hot. Hot, sharp, piercing heat. Brief, needling pain. Heart beat picks up for a moment, starts to rat-tat-tat-tat-tat, and then slows. Falls to a heavy thump, thump, thump, thump. Sip the tea.
Eyes closed.
Darkness. Or something like darkness. Darkness pregnant with light. Darkness that stretches in a million directions, and sparkles with something quite like light. Tea radiates warmth in my belly. Breathe out. Breathe out and feel the tea on my tongue, and the coarse brown sugar caught in my throat.
Fly through time.
I’m rocking back and forth, and back and forth. Sipping, rocking, sipping, rocking. The chair is squeaking. Faintly squeaking. Only I can hear it. Maybe the cat can too. She sits on top of the piano, black as pitch with sickly yellow eyes. Purring. She always purrs when she’s in heat. The purring and the squeaking and the tick-tock of the grandfather clock keep time moving forward. Rusty kettle sits on top of a white, rusty stove. Rainy season. Kettle whistles in the kitchen. Grey clouds stir in the afternoon sky. The clock ticks and tocks and the clouds swell and turn black. Black like the cat. Tea is warm. The kettle whistles again, higher pitch. The air tightens. Faint footsteps thump down the corridor. The kettle whistles higher and higher, ready to spit. I listen. Footsteps thump louder, closer. Kettle screams. Too late. She empties herself like a pregnant balloon whose rubber has stretched thin and tight with air and been pricked with a pin.
“Shit. God damn it.”
Daddy’s voice,
“You mean you couldn’t have gotten…”
Thunder
“Look at you, just sitting there and drinking tea,”
Tightness
“You mean to tell me you couldn’t have gotten off your ass and turned off the God damn stove.”
Eyes open.
Tea is cold. Swirl the last drop and let it pick up the sugar that has stuck to the bottom of the cup. Drain it. Make a slurping noise. The cold tea is so sweet that it cuts my throat. Sweet, ice cold tea. Look at the desk. There is a black ball point pen that writes too thinly. Pick it up and roll it in my palm. Potential. Click it once. The tip sticks out. Like a snake’s tongue. No. Like the tip of a crab’s gundy, reaching out from it’s sandy hole, reaching for the sun. No. It sticks out like a pen. Draw a line on the page. Draw a circle. Draw a spiral. Wait. Nothing. Click it once more. The point slips back inside, tension gone. Click, click, click, click until I flick my wrist and send the pen flying across the desk. Daddy’s voice does not make the page.
Stand up. Stretch. Crack knuckles. The cracks echo and bounce across the quiet room. Three day old beard itches at the jaw line. Nagging itch. Peek through blinds. Orange sky dyed pink. Sickly pink. Pepto Bismal pink. Walk in a circle. Left, then right, then left, then right. Trance. I need a trance. Left, then right, then left, then right. Small circle. Dizzying circle. Left, right, left, right, left right left right left right left right. Stop. Sink into chair. Head still moving in a circle. Room moving in a circle. Stare at paper. Paper trembles. Pick up pen. Pen trembles. Maybe something. Wait. Maybe a line. One line. The first line. The first line has to be good. It’s all over without a good first line. Wait. Just wait.
Nothing
Eyes closed
Darkness. Darkness and light at the same time. This is how it must work. Shadows drift by. Fuzzy images. Time collides in the center. Time revolves around me. It all revolves around me. Memory. Yes. Big memories. The ones that stick. The ones that hurt. This is where it must begin.
On the plane. Window seat. Forehead pressed against cold glass. Vein thumping. Air hostess pours hot amber tea into a white plastic cup. Milk, my dear? Please. Sugar, my dear? Three. Salty, sticky tears mark cheeks like war paint. Phone calls that stick. Phone calls that change everything and force you to go on a plane.
“Come home.”
Mummy’s voice, trembling.
“Just come.”
That’s what she said.
Life changes in an instant. One fucked up instant. This will stick. Forehead is pressed against the cold glass and my stomach is churning violently inside of my belly. Grief is toxic and it in churns in your bowels, like poison. Everything all right, my dear? Yes. More tea, my dear? Yes, more tea. Plane cuts through a fat, white cloud and starts to tremble with turbulence.
Write it down.
“You have to come home.”
That was Mummy’s trembling voice and that is what she said.
Eyes open
Flat, blank pages scattered across the desk. Blank pages crumpled up into useless balls strewn across the room. Nothing makes it. The room fades to darkness as the pink sky slips behind the distant mountain. Peek through the blinds. The inky blackness of night, dotted with pale, distant stars spills over the curved sky. A chorus of squeaking frogs cuts through the quiet night and crescendos to a deafeningly high-pitched roar. The moon is hidden behind a veil of darkness, with only a slender crescent peeking out from behind the black sky.
Turn on light switch. Click. Room floods with unnatural florescent light. Blinding, sickly light. Fake light that belongs in a hospital ward. Click. Fade to darkness. A candle. That’s what I need. Open desk drawer and fumble in the darkness for a candle. Desk is filled with clutter. Empty notebooks with metallic spirals snaking through the spine, cool to the touch. Sharpened pencils whose tips press into the soft, spongy tips of my fingers. Rulers with sharp, silver edges. Bottles of sticky liquid paper. Candles. Short, bumpy candles whose wax has melted and cooled before. Blackened wicks which stand erect. Small, yellow box of matches. Shake it to make sure it’s not empty. Strike a match. Sulphur fills the room, for an instant. Flame burns tall, and shadowy shades of red and yellow begin to pulse over the desk. The pages glow in the candlelight and, for the first time, seem ready.
Words. Start with the words. Words that sting. Words that make you cringe. Say a word out loud enough and it no longer seems like a real word. Jesus. Oh Jesus, Jesus, Jesus, Jesus, Jesus, Jesus. No longer seems real. Nothing seems real. Blank. Blank, useless pages, White as the cold tiles which smell like bleach and make your eyes sting. Tension. Tension grips you by the neck. The words no longer seem real. Fading focus. Take glasses off and let the room go blurry.
Try a different approach. Put glasses back on. Start with something else.
Characters.
That’s what makes a story. Real flesh and bone characters. Characters that you can see, and hear, and smell. Sweaty, greasy, three-dimensional characters that belch, and fart, and swear. Call them out of the darkness.
Write
…Classroom. Filled with squeaky, squealing children. They have no names. They need no names. Children that are there to just squeak and squeal and fill the room with noise. Midday heat. Religion class…
Stare at the walls. Wait for more.
…Teacher walks in. A fat teacher. A fat priest. Father fatty. No. Father Harris. His skin is dark. Pitch lake dark. His bloated, sweat soaked body stinks of rum and curried fish. He waddles to the front of the class, a plastic smile etched into his dark, fat puffed cheeks. He swivels around, slowly, and pulls a stick of white chalk out from his chalk dusted khaki pants…
Take a breath. A deep, satisfying breath. Go with it.
…A zephyr, perfumed by the bay leaf trees, blows through the classroom, and a hush falls over the squealing children. Father Harris, with a ceremonial slowness, digs his chalk into the blackboard and in large, flowing letters writes,
IT IS ALL A LIE
The children yelp….
…Father Harris…
There is no Father Harris. There are no children. Nothing is there. Purple vein, cutting through the neck, starts thumping wildly. Tear up page. Tear it up until it looks like confetti. Throw it in the air and let it fall on the desk like warm snow.
Stand up. Pace wildly from one wall to another. One, two, three. Turn around. One, two, three. It’s a three step kind of room. Exhaustion, thick and heavy, descends on my body. Stumble over to the bed, wedged next to the mahogany desk, and collapse into a fitful, feverish sleep.
Dreams
Poisoned parade. Procession of a thousand characters with bodies, but no souls. I know these people. A little baby. She looks like a large white pea with a fitted purple bonnet and shuffles across the floor at a sickening pace. Her name is Ava and everyone is crying out “Catch Ava!” “You have to catch Ava!” Shaking. Prisoner trapper in a feverish coma. Ava is shuffling toward the window, her purple bonnet trembling and vibrating because of her speed. “Catch Ava!” they scream. Here come Mummy and Daddy walking in the parade. They are shadowy tonight. Eyes hollowed out and blank. Familiar yet fading. Where have they been? They don’t know me. They no longer know me.
————
Wake up with a start.
Room filled with blinding morning light. Paper. Oh Jesus, look at the paper. Stumble out of bed and trudge through a carpet of paper. Hand on the door handle. Cold, metallic door handle. Open the door and feel the sunlight burn my skin. Walk into the backyard.
Sit.
Look.
Listen.
Blackbirds sit on electric wires, and the distant mountains are dotted with bright pink and yellow Poui trees. The grass, wet with morning dew, is teeming with sugar ants and grasshoppers.
Yellow breasted Kiskadees sing out their morning salutations.
Kis-kee-dee, Kis-kee-dee, Kis-kee-dee,
The old folks say they sing in French.
Qu’est-ce qu’il dit? Qu’est-ce qu’il dit? Qu’est-ce qu’il dit?
In the distance, car horns signal the start of the city day.
Deep blue sky. Blushing clouds.
Look at the colours.
Oh Jesus, would you look at the colours.
-----




Originally Published in Tongues of the Ocean - 2010
.

Friday 31 January 2014

Nostalgia





You came to wander,
And yet all you can do is wonder
How tall the mango tree home has become.

You remember sitting under that tree,
And you remember thinking of the far away places
Which would set your heart afire.

You were sure.

You came to sit on the edge of the Earth,
Surrounded by those things that you
Read about, or saw on TV.
And all you can think about

Are the pieces.

The pieces of yourself,
That you dusted off under that
Red sky that stretched out like a tent on fire,
Underneath that mango tree.

You wait.

The moon hangs,
Silent and watchful,
And cold. 

You never knew that the moon could be cold.

The stars 
You watch,
Because you know you should watch. 
But you know that
None of them

Will put you together again.



Saturday 25 January 2014

Lalin Bel (The Moon is Beautiful)






                              - Waiting for the moon - Mayaro, Trinidad


Lalin Bel

Watch her.

Watch how she hangs
In the eastern sky.

Watch how she sits coldly,
And quietly,
On the frosted window sill.

Look at her and know
That you are no longer looking out
Toward the cold, grumbling river
Of the so called old world,
But that you are now seeing reflections


From wilder waters.


Lalin Bel


It is she who holds the memories of the
Warm, rough seas that beat against
A rugged island.

Do you remember?

Do you remember when she
First came out of the sea?

Remember how she pushed
Her milky head out of the
Pitch lake ocean,

And how she sat on the water’s edge?

The fiery stars were there too,
Brushed across the inky dome
Like glittering sand.

Now,

Look.
Watch how she covers her face
With wispy, frosted clouds.

Watch how she hides herself in shame.


Lalin Bel
They too bathed in the pitch lake sea,
And they too made fires burn bright
On the cool, starry sand.

Do you remember?

Do you remember the pearls in the sky
And the pearls in their eyes?

Do you remember
The sound of the bats
Flapping in the shady trees
And the squeaking of their feet
On the cool powdery shores?


Lalin Bel


Please,

Zanmi mwen,

Tell me that you remember.

Tell me that you remember the cracking
And the popping of the
dry coconut husks.

Remember,

The thick ashy smoke
That flushed the buzzing mosquitos
Out of the houses.

The driftwood that went up in flames
of deep reds, and yellows,
And blues.


Lalin Bel


Remember how they woke the next morning,

Remember how the sun was harsh and
How it burnt their eyes.

Remember how the fires had burnt down to ash and how
The sea had carried away their castles.

Now,

It is only shadows that dance
On the chip-chipped shore.

Now,

The rough sea
Swallows the stars.

And now,

 The wind skims lightly
Over the ocean’s oily face.


----


Their laughter was pure that night,

                                                                                                                                  
 But it was swept away
By the breeze.


Wi, 
Zanmi mwen,